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Outside Mullingar Cast & Crew














Carolina Curtain Call Review

REVIEW: Tryon Little Theatre Charms with ‘Outside Mullingar’

November 18, 2017 Sandy Staggs

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“It will come to you, this love of the land. There’s no getting’ away from it if you’re Irish.”

These words spoken by Scarlet O’Hara’s father reverberate resoundingly in Tryon Little Theatre’s premiere of John Patrick Shanley’s dark romantic comedy “Outside Mullingar.”

With live accordion music by Douglas Hurlbert wafting through the air, patrons enter the TLT Workshop as if they are stepping onto the rolling hills of the Emerald Isle as they admire Lindsey Moore’s authentic cottage set (actually two cottage interiors), flanked by a striking stone barn shed with a thatched roof.

Gingerly directed by recent New York transplant Catherine Gillet, an award-winning playwright and director of the Dark Horse Theatre Project, the Tony-nominated “Outside Mullingar” examines two neighboring farmers who navigate their ancestral ties to their land and their place outside their bucolic bubble in Mullingar. And, of course, their hearts.

Spanning several years and two generations, the story begins after a memorial service for Aoife Muldoon’s husband. Aoife, played by a saucy Rosalind Ashford, another newcomer from New York, in a perfect Irish dialect, is not far behind her deceased spouse since she has emphysema and a pacemaker.

Mark Monaghan, the TLT regular last seen in “Greater Tuna” this summer, is the aging neighbor Tony Reilly who is pondering his own health and demise, as well as the fate of the Reilly farmstead and his only son who has not fled the countryside, Anthony, embodied by Christopher Paul Smith, who is no stranger to Irish playwrights having played the title character in “The Cripple of Inaashman” two years ago at USC Upstate.

What transpires next in this fable by Shanley (Pulitzer Prize winner for “Doubt: A Parable”) is the history of a tiny parcel of land (a right-of-way) that both separates and eternally entangles the Reillys and Ashfords, including the iron-willed Rosemary Muldoon, Tara Sweeney in her TLT debut.

Buoyed by beautiful, moving performances from the elders Monaghan and Ashford, and the understated comic timing and purposefully aloof chemistry of Smith and Sweeney, “Outside Mullingar” guises its global themes of existentiality in a sweet romance that the audience roots for until the end.



Auditions for Kiss Me Kate



"Celebrating TLT's 70th Anniversary"


Production dates: Feb. 15-18 @ Tryon Fine Arts Center


Audition dates: Sunday, Nov. 12 @ 7:00 p.m.

Tuesday, Nov. 14 @ 7:00 p.m.

Callbacks (if needed): Thursday, Nov. 16 @ 7:00 p.m.


Place: Sunnydale- 334 S. Trade Street, Tryon, NC 28782

(Log cabin beside Dollar General)

**Please arrive 15 minutes early in order to complete audition forms.


Auditions will consist of:

1. Singing- Prepare a solo either from the show or in Broadway style that

shows range and strength of voice.

2. Reading- from the script. Note that some dialogue is Shakespearean in style.

3. A short Dance audition- Please wear comfortable shoes.


Lead Roles

Fred Graham (Petruchio). Age 30- 50. Baritone

Lilli Vanessi (Katherine) Age 30- 50. Mezzo Soprano

Lois Lane (Bianca). Age 20-40. Strong Mezzo belter


Supporting Roles

Bill Calhoun (Lucentio). Age 20- 40. Tenor

Hattie. Any Age Strong belter

Paul. Any Age. Tenor/ Baritone

Harry Trevor (Bautista). 40- 60 sings with ensemble

Ralph (Stage Manager). Any Age. (Non-singing role)

Gangster 1. Age 30- 50 Comic Baritone

Gangster 2. Age 30- 50. Comic Baritone

General Harrison Howell. Age 30-50. (Non-singing role)

Gremio. (1st Suitor). Age 20- 40. Tenor/ Baritone

Hortensio (2nd Suitor) Age 20- 40. Tenor/ Baritone

Haberdasher/ Doorman/ Messengers/ Banker/ etc. (sing with ensemble)

6-8 Speciality Dancers Any age

8- 12 Singing Ensemble. Any age